"This is the first U.S. museum exhibition of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian (b. Qazvin, Iran, 1924). Considered in relation to the Guggenheim’s historical commitment to abstraction, this presentation examines the artist’s rich body of work in its own right and as part of a transnational perspective on artistic production and its reception." in Solomon R. Guggenheim Museum, New York
"Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974-2014”, the first museum survey of geometric mirror works and drawings by the celebrated Iranian artist Monir Shahroudy Farmanfarmaian (b. 1924, Qazvin).
"Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974-2014” will focus on Monir’s sculptural and graphic oeuvre over a career of more than forty years. While her practice has also encompassed figurative painting, it is the artist’s distinctive approach to geometric abstraction that provides a compelling entry point to an oeuvre in which objective concepts of repetition and progression, merged with the aesthetic traditions of Islamic architecture and decoration, allow for, in the artist’s own words, ‘infinite possibility’.
The majority of the selected works are from the artist’s own collection, many of which have not been seen publicly since the 1970s.They include early mirror reliefs on plaster on wood, and a series of large-scale geometric mirror-works that formed part of the artist’s exhibition organized by Denise René in her galleries in Paris in 1977, and in New York in the same year.
The exhibition will reveal how the compositional principles of this period were translated into larger-scaled commissions, including a series of etched glass doors she created for her New York townhouse in the 1980s, and into the more ambitiously-scaled mirror sculptures based on the concept of the geometric ‘families’ which the artist has produced in the last decade since reinstating her studio in Teheran in 2004.
A selection of previously unseen abstract compositions on paper based on geometric principles produced by Monir between 1976 and 2014 reveals the central role of drawing as a conceptual foundation for the artist’s sculptural practice. The drawings also offer insight into the artist’s creative output when she was deprived of her studio during the early years of exile in the US following the Islamic Revolution in 1979.
"Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974-2014” also presents the opportunity to premier a new documentary film on Monir currently in production, directed by Bahman Kiarostami and produced with Iranian curator Leyla Fakhr that looks at the work and life of an artist whose career has been marked by the extremes of political change in her country and abroad.