EVAN IFEKOYA, 3 FILMS: SHE WAS A FULL BODY SPEAKER, CONTOURED THOUGHTS AND UNDERCURRENT 528
The Museum as Performance – 8th Edition
The Museum as Performance — 8th Edition
16:00, 19:00
She Was A Full Body Speaker
2016, United Kingdom
Duration: 17’33’’; colour; stereo sound
This video combines found footage from the artist’s personal archive and that of Liverpool based filmmaker Sandi Hughes (Rewind/Fast Forward). It explores cycles of trauma, mourning and celebration through an investigation into spaces of sociality past, present and still to come.
contoured thoughts
2019, United Kingdom, Iceland
Duration: 4’42’’; colour; stereo sound
contoured thoughts is a meditation on desire, recovery and the rituals of communion. A guide and conspirator alike, Ifekoya takes the viewer to another realm where time all but stands still. Regenerated by the blackness of water and land, the artist offers a moment to share the intimate, the erotic and the otherworldly.
Undercurrent 528
2021, United Kingdom
Duration: 15’30’’; colour; stereo sound
Undercurrent 528 draws on Stephen Dwoskin’s complex relationship with care, desire and everyday rituals as made visible in his vast oeuvre and reorients it from Ifekoya’s perspective.A series of invitations were sent out by Ifekoya to their extended black, queer and trans community for a dancer, a drummer, a gathering around breath and breathing and a sonic response to these images. This new video work explores the relationship between documentation and liveness, opening portals of intimacy by bringing people together through different spaces and time. It is part of a series of works exploring the reparative dimension of sound and its potential as a gateway to alternate aspects of our reality.
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Image ©️ Kevin Osepa


Evan Ifekoya established the collectively run and QTIBPOC (queer, trans*, intersex, black and people of colour) led Black Obsidian Sound System (B.O.S.S.) in 2018. Presentations in 2022 include a solo exhibition at Migros Museum, Zurich and a moving image commission with LUX in collaboration with University of Reading. They have presented exhibitions, moving image and performances across UK Europe and Internationally, most recently: Herbert Art Gallery and Museum as nominees of the Turner Prize (with B.O.S.S. 2021); Gus Fischer New Zealand (2020); De Appel Netherlands (2019) and Gasworks London (2018).