EVAN IFEKOYA, 3 FILMS: SHE WAS A FULL BODY SPEAKER, CONTOURED THOUGHTS AND UNDERCURRENT 528

The Museum as Performance – 8th Edition

The Museum as Performance — 8th Edition

Auditorium Casa do Cinema Manoel de Oliveira
11 SEP 2022

16:00, 19:00

2022 - O Museu Como Performance - filmes Evan Ifekoya

She Was A Full Body Speaker

2016, United Kingdom

Duration: 17’33’’; colour; stereo sound
This video combines found footage from the artist’s personal archive and that of Liverpool based filmmaker Sandi Hughes (Rewind/Fast Forward). It explores cycles of trauma, mourning and celebration through an investigation into spaces of sociality past, present and still to come.


contoured thoughts

2019, United Kingdom, Iceland

Duration: 4’42’’; colour; stereo sound

contoured thoughts is a meditation on desire, recovery and the rituals of communion. A guide and conspirator alike, Ifekoya takes the viewer to another realm where time all but stands still. Regenerated by the blackness of water and land, the artist offers a moment to share the intimate, the erotic and the otherworldly.



Undercurrent 528

2021, United Kingdom

Duration: 15’30’’; colour; stereo sound

Undercurrent 528 draws on Stephen Dwoskin’s complex relationship with care, desire and everyday rituals as made visible in his vast oeuvre and reorients it from Ifekoya’s perspective.A series of invitations were sent out by Ifekoya to their extended black, queer and trans community for a dancer, a drummer, a gathering around breath and breathing and a sonic response to these images. This new video work explores the relationship between documentation and liveness, opening portals of intimacy by bringing people together through different spaces and time. It is part of a series of works exploring the reparative dimension of sound and its potential as a gateway to alternate aspects of our reality.

Related

Evan Ifekoya
Evan Ifekoya

Image ©️ Kevin Osepa

Evan Ifekoya
Evan Ifekoya

Evan Ifekoya established the collectively run and QTIBPOC (queer, trans*, intersex, black and people of colour) led Black Obsidian Sound System (B.O.S.S.) in 2018. Presentations in 2022 include a solo exhibition at Migros Museum, Zurich and a moving image commission with LUX in collaboration with University of Reading. They have presented exhibitions, moving image and performances across UK Europe and Internationally, most recently: Herbert Art Gallery and Museum as nominees of the Turner Prize (with B.O.S.S. 2021); Gus Fischer New Zealand (2020); De Appel Netherlands (2019) and Gasworks London (2018).

http://www.evanifekoya.com

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