ALICE VAN DER WIELEN-HONINCKX, CREATURES AT REST
The Museum as Performance – 8th Edition
15:00 - 18:00
Creatures at rest
Durational performance
On a slowly turning plateau, three women perform a slow practice. Creatures at rest asks for the suspension of more usual paces and proposes a dive into the undercurrents of time by stretching out the duration of every sensory event. This choreographic work emerges from a long-term investigation of slow dance in the context of a hasty society.
In her essay Space as Atmosphere: Floating in a Molecular Bath*, Alice van der Wielen-Honinckx proposes the term ‘aesthetic boredom’ to describe an experience of relaxation which allows for attention to linger, meander freely. At the very opposite of boredom that makes us feel separate from our surroundings, aesthetic boredom would be an experience of relation and embeddedness. Or so to say, simply being touched by the way things are.
*Space as Atmosphere: Floating in a Molecular Bath (Carolyn F. Strauss ed., Valiz, Amsterdam)
Concept: Alice Van der Wielen-Honinckx
Creation: Jeanne Colin, Salomé Genès, Robson Ledesma, Mariana Miranda, Sofia Rodriguez, Alice Van der Wielen-Honinckx
Performance: Jeanne Colin, Emmi Väisänen, Alice Van der Wielen-Honinckx
Sound: Stav Yeini
Costumes: Sofie Durnez, Alice Van der Wielen-Honinckx
Scenography: Sofie Durnez, Benjamin Vandewalle
Assistant scenography: Tine Germer
Coaching: Christine De Smet
Co-production: DiR – Dance in Residence Brandenburg, Garage 29, KAAP, Musea Brugge, Playground (M Leuven & STUK).
With the support of: Vlaamse Gemeenschapscommissie (VGC), Vlaamse Gemeenschap (VG)
Creative Producers: arp:
Thanks to: Martine Dekoninck, Marc Van der Wielen, Benjamin Vandewalle.
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Alice Van der Wielen-Honinckx (born 1989, Brussels) works in the field of choreography, performance and dramaturgy. She studied litterature at KULeuven and contemporary performance at Utrecht University. Slowness intrigues her as a means to investigate sensitive sensorial perception, and to cultivate other modes of being and relating.
Recent collaborations include Evelien Cammaert’s performative slideshow Glowachrome Garden (2021), Stav Yeini’s multi-sensorial installation The Senders (2019), and several pieces by Benjamin Vandewalle: his choreographic installations for the public space Studio Cité (2019), his dance performance for the public space Framing The Circle (2018), and his choreographed walk Walking The Line (2017). She performed Annie Vigier & Frank Apertet’s Pièce en sept morceaux, Musée d’Art Moderne de la Ville de Paris, 2018. In 2021, she premiered her first creation Creatures at rest, and published the essay "Space as Atmosphere: Floating in a Molecular Bath" in Slow Spatial Reader: Chronicles of Radical Affection (Carolyn F. Strauss ed., Valiz, 2021).
Alice lives and works in Brussels.