II_IN
TO BE HONEST… I DON'T FEEL LIKE COMPANY – I & II
Cinema
Schedule: 6 pm
1975-2021 | 77’
The access to the Auditorium Casa do Cinema is via Rua de Serralves nº 873, 30 minutes before the screening.
All films will be presented in their original language, with Portuguese subtitles.
The programme could be altered due to unforeseen circumstances.
Inside
Kluge from today’s POV or better said – what else is to be said. The body
and soul as an emotional momentum. In love, in regards, in excerpts, in songs.
German photographer Wolfgang Tillmann focuses on an energy spot in the human
body, following the heartbeat. Caroline Poggi and Jonathan Vinel’s Bébé
Colère brings together rage and images, power and thoughts. As Tracey
Emin’s Why I Never Became a Dancer understands – in only few minutes –
why a woman must move if she wants to get anywhere:
And as I started to dance
people started
to clap
I was going to win
and then I was out of here
Nothing could stop me
And then they started
SLAG SLAG SLAG
Love
is the changemaker.
Curated by Maike Mia Höhne
Related
Maike Mia Höhne studied visual
communication at the University of Fine Arts Hamburg, the Escuela de Bellas
Artes in Havana as well as the Escuela Internacional de Cine y Televisión in
San Antonio de los Baños, Cuba. She works as a curator and juror for several
institutions and festivals worldwide and is involved in film funding on a
regional and national level. She takes part on the advisory council for
the Sharjah Film Platform Advisory Committee. From 2007 to 2019 she was head of
Berlinale Shorts of the Berlin International Filmfestival. Höhne is
a professor for film at the University of Applied Sciences Europe in Hamburg.
Since March 2019, she has been the artistic director of the Hamburg Short Film
Festival.
Filmography: 3/4 (2014), Warum wir waren was wir waren (2011), Eine einfache Liebe (2005), Von der Hingabe (2002), Fin de siglo (1998), Petit
Voyage (1996).