Rethinking linguistic conventions with the body in focus – this is the task Adam Linder has taken on in ‘Auto Ficto Reflexo’, presented in national premiere at Serralves. Linder has appropriated the codified language of cultural production and mediation for his own choreographic purposes: interviews with artists, cultural-policy rhetoric or critique become rhythmic-conceptual generators of movement in this duet that is staged through levels like a game, taking inspiration from socialised ‘street’ dance styles such as gliding, waving or the paddy-cake. Together with his co-choreographer and performer Justin F. Kennedy and the sound designer and musician Adam Gunther, Linder's choreographic form is located between movement, language and sound effecting.
Concept: Adam Linder
Choreography & dance: Adam Linder, Justin F. Kennedy
Music producer: Adam Gunther
Stage: Shahryar Nashat
Light: Samuli Laine
Costume: Iva Wili
Sound: Julius Holtz
Technical director: Sebastian Zamponi
Management: Andrea Niederbuchner
Co-Financed by NATIONALES PERFORMANCE NETZ (NPN) International Guest Performance Fund for Dance, through Commission Funds for Culture and Media of the German Federal Government, based on a resolution of the German Parliament.
Image: Adam Linder. Auto ficto reflexo (c) Sarah Bohn
Adam Linder
Adam Linder (b. 1983) lives and works in Berlin. Recent Stage Works include ‘Vexed Vista’, premiered at Les Subsistances, Lyon (2015); ‘Parade’, premiered at HAU 3, Berlin (2013); and ‘Cult to the Built on What’, premiered at Kampnagel Hamburg (2013). His more recent "Choreographic Services”, presented since 2013 in art contexts, include ‘No.2: Some Proximity’, Frieze Art Fair, London, subsequently hired by Museum Sztuki Warsaw (2015) and MoCA Los Angeles (2015); and ‘Some Cleaning, Choreographic Service No. 1’, featured in the group show Effi B, Silberkuppe, Berlin (2014), subsequently hired by Museum of Arts and Design, New York (2014); Kunsthalle Basel (2014); CCA Wattis, San Francisco (2015); and ‘The Lulennial: A Slight Gestuary’ Lulu, Mexico City (2015). The film ‘Parade’, an adaptation of Linder's stage work directed by Shahryar Nashat premiered at The Berlin Biennale (2014); further screened at ICA, London (2014) and The Hammer Museum, Los Angeles (2014).
Support
Co-Financed by