SOCIETAT DOCTOR ALONSO

O MUSEU COMO PERFORMANCE

HAMMAMTURGIA

Museum Gallery - Siza Wing
18 OCT — 12:00, 18:45

Access:
Upon purchase of Serralves ticket
25% discount on the purchase of the ticket for 2 days. Cumulative with the regular discounts (Students and over 65 years old).
Free entry for Amigos de Serralves.

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1810 HAMMAMTURGIA OMCP
Rebecca Bowring

Performance, 55’

Dramaturgy: Tomàs Aragay and Sofia Asencio

Stage direction: Tomàs Aragay

Creation and performance: Sofia Asencio, Beatriz Lobo, Ana Cortés, Kidows Kim

Stage space consultancy: Cube.bz and Serrucho

Lighting design: Cube.bz

Sound space: Maties Palau

Costumes: Jorge Dutor

Hammamtùrgia generates and captures the flow of bodies and things in space, a succession that explains nothing but instead proposes and activates transformations, a choreographic work that operates with space and time.

We understand ‘hammamturgy’ as the other side of dramaturgy. Dramaturgy would be the action of creating, composing, and realizing a piece. ‘Hammamturgy’, in turn, refers to a relationship with the atmospheric conditions that produce the transformation of the form work: being inside, crossing through, being that which moves us and which we do not see. If dramaturgy is related to narration and, consequently, is attributed to an author, ‘hammamturgy’ is linked to happening and would not require someone to prescribe actions. That is why we say that ‘hammamturgy’ is what happens — or what provokes change. The space is built and transformed during the action, in full view of the audience.

This space is, simply, a shared environment. An environment where outside and inside are not distinguished. It is only a membrane, in which we breathe and live, at least during this time, together. We question the idea that one can be “outside,ˮ as a neutral observer. We are always in a shared environment: we are the environment; the environment is also us.

In a way, those who create make the house from the inside, gently transforming, little by little, the place where we arrived — and that we call theatre — into another place. We transform it and make that transformation visible. It is not about building an environment from beginning to end, but about doing something with the conditions that constitute it.



*Warning: The show uses flashing lights

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1810 HAMMAMTURGIA OMCP

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SOCIETAT DOCTOR ALONSO
SOCIETAT DOCTOR ALONSO
SOCIETAT DOCTOR ALONSO
SOCIETAT DOCTOR ALONSO

SOCIETAT DOCTOR ALONSO, directed by Tomàs Aragay (director and playwright) and Sofía Asencio (dancer and choreographer), has built a language whose fundamental key lies in the concept of displacement. Putting something outside its place, scope, or proper space, investigating how this displacement modifies language, both in its constitutive grammar and in the reading by those who observe: displace to reveal. This maneuver has proven effective in generating spaces of poetic discourse that question the status quo of our understanding of reality.



Tomàs Aragay is a playwright and actor. He studied Directing and Dramaturgy at the Institut del Teatre in Barcelona. In 1996, with Roger Bernat, he founded the creation center General Elèctrica in Barcelona, which closed in 2000.

Although trained in theater, since his first piece, “Cruza cuando el hombrecito está en verdeˮ (1997), created with Laura Arís, Sofia Asencio, and Nathalie Labiano, and awarded the First Prize for Choreography at the XI Certamen Coreográfico de Madrid, he has worked with people from dance. His starting point in approaching dance is free of constraints; not being a dancer, he speaks of it from another place, more from emotions than from movement. That is why his shows move us and do not leave us indifferent. He received the Prix dʼAuteur at the Rencontres Chorégraphiques Internationales de Seine-Saint- Denis, with the creation John Kovach, state of emergency (Festival dʼEstiu Grec-99, Barcelona). He has maintained a constant research focus, on the one hand, studying the relations among the different expressive weapons he mixes in his shows — movement, word, and music — and, on the other, studying how to integrate in the performer the awareness of their creative potential beyond technique. He has taught courses at the University of Fine Arts of Perpignan, Festival Dansem in Marseille, Festival Nouvelles de Danse in Pau, Festival  Dies de Dansa in Barcelona, Festival Enzimi in Rome, Festival Mladi Levi in Ljubljana, and at Festival Mira in Toulouse.

Sofía Asencio is a choreographer, dancer, and performer who worked for 10 years with several companies with whom she toured worldwide. Between 1989 and 1993 she studied contemporary dance at the Institut del Teatre in Barcelona while participating in a musical revue. Later, she worked with Vicente Sáez, LʼAnonima Imperial, Mudances and Cía. ACTA, and in 1998 she joined the collective General Eléctrica. In 2000, together with Tomàs Aragay, she created Societat Doctor Alonso, a company and platform for research and production of shows in collaboration with other artists and researchers. As a context generator, she co-directed the MAPA Festival between 2004 and 2010 and co-curated Salmon between 2021 and 2022. She currently participates in the activities of El Consulado, a space for live arts in Horta Sud, Valencia.

https://doctoralonso.org


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