Visit, or Memories and Confessions (1982) by Manoel de Oliveira is a fundamental work in his filmography. A retrospective, intimate film, an assessment of his life and work, this is also an anticipatory film, announcing several itineraries he entailed in the rest of his work.

In celebration of his 115th birthday, this session is an invitation to revisit some of his "memories and confessions" through a film projecting itself in the future, which questions, like no other, what makes cinema an art of spectres.