PEDRO TUDELA & JORGE PINHEIRO — ECHOES, TRACES, RHYTHMS
Galeria Solar da Porta dos Figos — Casa do Artista, Lamego

Pedro Tudela, Untitled (from the >e(c(o< series), 2019. Coll. Fundação de Serralves — Museu de Arte Contemporânea, Porto. Acquisition 2020. Photography: Filipe Braga
Exhibition Opening: 27 June, 6 pm
The exhibition echoes, traces, rhythms establishes a dialogue between the work of Jorge Pinheiro (Coimbra, Portugal, 1931) and Pedro Tudela (Viseu, Portugal, 1962), two artists from different generations with distinct artistic languages that touch at key points. Bringing together painting, drawing, sculpture and sound installation, the exhibition exploresI relationships of circularity, reciprocity, sequence and contrast between the two artists' practices, revealing how both translate sound and silence as point and line, object and concept, time and space.
Conceived in collaboration with the artists, the exhibition presents works by Jorge Pinheiro from the 1970s alongside Pedro Tudela’s installations dating from the late 1990s to the present day. Through compositional structures based on geometrical and sound modulations, as well as graphic and musical notations that permeate both artists’ practices, sound and drawing are developed in tandem as forms of action and communication.
With a career spanning more than five decades, Jorge Pinheiro has developed a diverse body of work of remarkable theoretical and formal rigour, in which figurative painting and geometrical abstraction coexist. The exhibition presents a group of abstract works by Jorge Pinheiro that include drawing, painting and installation, revealing the compositional vocabulary that underpins his entire work and showcasing his interest in music and logic.
Starting his career in painting in the 1980s, Pedro Tudela has since developed a multidisciplinary practice that combines drawing, sculpture, photography, installation, sound, video, performance and experimental electronic music. His practice is marked by an ongoing impulse for action, strong spatial acuity and a direct relationship with the body, subtly invoked through a gesture, sound, drawing or object.
This exhibition, curated by Joana Valsassina, is part of the Serralves Collection Touring Exhibition Programme, which aims to make the Foundation’s collection accessible to different audiences across the country.
Production: Fundação de Serralves — Museu de Arte Contemporânea, Porto