DES|OCUPAÇÃO. Arqui(vi)vo do Atelier Real em Serralves

João Fiadeiro

Educational Service Room, Serralves Museum
17 OCT 2022 - 6 NOV 2022

2 p.m.- 6 p.m. (weekly), 10a.m.-7p.m. (weekends)


Free access.

DES|OCUPAÇÃO. Arqui(vi)vo do Atelier Real em Serralves

Portuguese choreographer, performer and thinker João Fiadeiro (1965, Paris) is a seminal figure in the New Dance movement in Portugal and one of the most singular artists in the field of contemporary performative arts.

His activity gravitates around the practice, research and application of the Real Time Composition (RTC) tool, a system of composition and improvisation that has been systematized since 1995 and is now studied and developed by several artists and researchers.

He founded RE.AL Company and Studio (1990-2019), a training and laboratory art structure supported by a transdisciplinary, international programming which led to the formation of an important archive loaned by the artist to the Serralves Foundation in 2021. In the artist’s words, the research and programming at RE.AL moved between contemporary dance and disciplines such as cinema, theatre, music, the visual arts, poetry or publishing and always at the frontier between process and product, theory and practice, artistic experience and philosophical or scientific thought. Arqui(vi)vo is an exhibition consisting of an open studio in which the artist’s and the researcher’s body (of work) inhabits and breathes life into his archive in a movement that blurs the boundaries between ‘inside’ and ‘outside’, between ‘before’ and ‘after’.

An encompassing view of João Fiadeiro’s multifaceted trajectory, Arqui(vi)vo brings together film and photography, publications, essays and work notes that will allow the public to contextualize and revisit for the first time the programming of one of the most iconic spaces in the Portuguese performative scene as well as the artistic production of this author, a reference in Performance and Contemporary
Dance.

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João Fiadeiro
João Fiadeiro
João Fiadeiro
João Fiadeiro

João Fiadeiro (1965) belongs to the generation of artists who emerged in the late eighties in Portugal and gave rise to Nova Dança Portuguesa [New Portuguese Dance], a movement highly influenced by the Judson Dance Theater in America and New Dance scene in Europe. Between 1990 and 2019 he was Atelier RE.AL’s artistic director, a venue that played a major role in the development of contemporary dance and trans-disciplinary initiatives in Portugal, both within art and between art, science and society. Among the projects organized by this association, the LAB/Moving Projects (1992-2006), a work-in-progress platform from emergent artists; “Restos, rastos e traços” (Leftovers, tracks and traces)
and “G.host” (2009-2011), two residency programs focused on documentation practices for contemporary art; and the project AND_Lab (2011-2014), a research laboratory working on the relationship between ethics, aesthetics and politics, are among the initiatives that had the biggest impact in the community. João Fiadeiro has toured extensively throughout Europe, North America and South America with his solo and group works. His pieces navigate in-between disciplines (performance, dance and theater), contexts (theaters, museums or site-specific) and formats (choreographies, happenings or lecture-performances), in an attempt to maintain a “radical sensitivity” towards the present and remain vigilant against any form of stagnation or loss of critical discourse. Between 1995 and 2003 he collaborated with Artistas Unidos (United Artists), a Lisbon based theater company, where he was responsible for the movement of the actors in pieces from Silva Melo, Shakespeare, Brecht, Goethe, etc.. For this company he also staged plays by Samuel Beckett (Waiting for Godot), Sarah Kane (Psychosis 4’48’’) and Jon Fosse (Nightsongs). Parallel to his work as a choreographer, theater director and curator, João Fiadeiro studied and practiced intensively Contact-Improvisation in the 90’s which led him to pursue and systematize his own research on improvisation under the designation of Real Time Composition.
This research, which started as a tool to support his own creative practices, has since been used by researchers from art and science (coming from fields as diverse as anthropology, complex systems sciences or economy), as a theoretical-practical platform to study decision-making, representation and collaboration. This work has led him to teach extensively in different independent venues in Europe and South America (Brasil, Uruguay, Argentina and Chile) and to lead workshop sessions in the most important master programs and schools in Europe that relate to contemporary dance like PACAP/Forum Dança; EXERCE Master, MA in Arts Practice and Visual Culture at Rainha Sofia Museum; SoDA MA Program; Performing Studies at the Hamburg University; Amsterdam Master of Choreography; Master of Theatre DasArts; a.pass_advanced performance and scenography studies; MA Theatre Academy of the University of the Arts Helsinki; Villa Arson; Centre National de la Danse, etc. The Real Time Composition tool has since expanded its application outside the artistic field with initiatives like “Soft Skills for Hard Decisions”, designed in collaboration with the economist António Alvarenga and applied in human resources departments of foundations; or the discipline “Social Stigmergy” designed for the PhD program at ISCTE University in Lisbon with the complex system scientist Jorge Louçã. In 2018 João Fiadeiro published his book “Anatomy of a Decision” where he synthesized his life long research on Real Time Composition and in 2019 co-curate (with Romain Bigé) the exhibition Drafting Interior Techniques at Culturgest Gallery, the first retrospective look taken at Steve Paxton work and legacy.

Foto: Ana Viotti

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